Stella nova, 14 mn 40, 2018
A supernova is a star that explodes in a gigantic accumulation of energy and light . Seen from the sky, it is a disappearance, seen from the earth, it is a new star that appears.
Potamocho(e)rus rosus. 9 mn 59, 2017
Sound ramblings. The starting point of this piece is a luxuriant forest occupied by a talkative fauna, and the figure of an imaginary pink bushpig, sensitive, joyful and strong animal. I worked with voice and landscape sound recording using analogic and digital process to bring out the savage and the organic in these materials. I played with their proximity, their accumulation and their sliding .
La forêt aux sangliers roses. 10 mn 01, 2017
The pink wild boars forest.
First research around the figure of the pink boar, rough version. The mix is rougher and more compact than in Potamocho(e)rus rosus. The assembly is more destructured.
Les Musiques Festival, Emergence concert, GMEM, Marseille, 2017, May 17th.
Zuhaitz, 13 mn 30, 2017
Sound extract from Zuhaitz video.
Sound and visual exploration around a fire, stars, a tree and a Basque ritual.
Moutons. 4 mn 10, 2016
Nighttime crossing. Waves are rushing into the floor, beetween dream and reality . Pieces of words are appearing on the surface. Sheeps are being drawn on the night, similar to foam water.
Voices: Isotta Trastevere, Sarah Ouazzani
Festival DME, Lisbon, 2017, October / In Sonora 10, 2018, March, Madrid, Espagne / RMA annual conference, September and Sonic Voyages: Through the Air, October, Bristol, UK / WOCMAT 2018, december National Chiao Tung University, Taïwan
Chat-huant. 7 mn 28, 2016
In french, the «tawny owl» is also called «Chat-huant». The english traduction would literally be «booing-cat» or «hooting-cat». Tawny owls, nocturnal bird of prey, don’t have visible ears. They, however, ear better than men, thanks to their two asymetrical ears. The forest. The night. Chatter. A dialogue beetween voice and analog synthesizer.
This piece is linking organic and analogic shouts, human and animal shouts. Human voice is slowly taking pleasure in shouting
FILE hypersonica Electronic Language Int. Fest. 2017, July, Sao Paulo, Brésil
L'hiver, parfois. 7 mn 30, 2016
Sometimes in Winter
Fragments of human and animalpresences. Songs of melodies that disappear in the fresh air. Smell of damp wood. Shifting. Slow. Crackling. Materials in mutation.
Kfé quoi, Forcalquier / Sound week, Polygone étoilé, Marseille
Le sang-froid d'Orphée. 5 mn 10, 2015
The coolness of Orpheus
A piece in two parts. Sound research on slowness, repetition, idea of depth, heaviness ... I 'm thinking about an underground thing and suddently I'm discovering Orpheus, he will find Eurydice!
Liquide amniotique. 4 mn 54, 2015
It is a biological fluid inside the amniotic sac, in which the embryo is immersed. The amniotic fluid is constantly renewed. Floating. Swing. Repetitions. Harmonics.
Yéti makes paths of snow that melt each time.
Yéti rebuilds them but it's never the same.
Yéti shakes his hair.
His coat is a forest.
The two eyes, legs, ears of Yéti:
hurdy-gurdy / stompboxes
voice/flutes / electroacoustic
Dataplex, June 26th 2018
Data, Marseille, April, 5th, 2019
Acustica, Mauricio Kagel
Interpretation of Acustica by Mauricio Kagel, with Cie L'Art de Vivre, a project directed by Pascal Gobin, scenography: Yves Fravega.
Show: L'Embobineuse, Marseille, 2016 May 28th , CNRR de Marseille, 2017 April 3rd
Performances - Sound and Cinema
Ritual for a film to be coming
Ritual for a film to be coming, The Night and the Kid directed by David Yon.
David Yon Screening-Mirror
Rémi-Luc Trompe-Synthesiser-micro-contact-sound objects
Sarah Ouazzani Voice-Violin-Wah wah tube
04 AVRIL 2013 _ Valence- Cinéma Lux- Scène Nationale- Festival En France au Cinéma
27 AVRIL 2013 _ Marseille- Data- organised by Numéro Zéro
"Un chant de mines"
Noise and cinematographic performance about mines in Jerada, Morrocco.
Research residency in Théâtre de la Cité, Marseille, 2013, May 28th-30th
Collective staging and scenograpy• Sound and image Ouahib Mortada, Lo Thivolle et Caro Beuret • Narrators Jean-Marie Nicolas et Ouahib Mortada • Light Annette Zingle • Music- Remi-Luc Saulnier ( Violin-micro-contact- Copper tray) et Sarah Ouazzani (Accordeon-voice)• Production Numéro Zéro
A sound interview, with the belgian cineast Boris Lehman
... eating pancakes on Greg's boat, with Fabrice Coppin and Rémi Luc for radio programme, En quête de cinéma broadcasted on radio Galère, 2014, January 7th and on Dérives website.
Listening to Boris Lehman leeds to filling life, cinema and freedom.
Improvised performance on Duverger's studio
Sounds inspired by a tropical atmosphere
... Opening artist's studio, exhibition with Julie Dawid and Matthieu Herreman.
Eric Nau (mini violin-voice), Ludovic Pulli(machines), Rémi Luc (harmonica-percussions), Sarah Ouazzani (voice-flute-accordéon).